Saturday, 23 January 2016
As you probably all know, Diamonds & Dust, which was rejected out of hand by my former agent as ''not remotely publishable'' and subsequently went on not only to be published, but to be up for the CWA Historical Dagger, the Walter Scott Prize, the Folio Society Prize, and score 73+ reviews on Amazon, is now developing offspring.
It wasn't meant to. Seriously. I didn't envisage trotting out the two Victorian detectives Stride and Cully again. But like lily pond paintings by Monet and Haydn String Quartets, once started, it seemed logical to keep going.
Thus the sequel, Honour & Obey, which was published November 2014, and Death & Dominion which came out last October. Murder & Mayhem will be the fourth outing for Stride & Cully and should appear this Autumn. I am currently putting a cautious toe in the waters of a fifth book.
There are those writers who regard a series as a bit of a ''cop-out''; after all, you've got your characters already written for you. To them I would say: writing a series is MUCH harder than producing a one-off text. And I know what I'm talking about: this is my second series of books. (The Spy Girl series for Usborne was the first)
The main problem is that unless you started with the idea of writing a series, and few authors do, they just tend to evolve, you are stuck with whatever you wrote in the first one. You cannot radically alter the appearance nor personality of the main character/s without readers going ''What the ...?'' After all, it was how they were in book one that will keep them reading books 2, 3, 4, 5 etc. You can and must develop the main characters, but in essence, they have to bear some resemblance to how they were in the beginning.
Then there is the problem of keeping the plot momentum going. I find book 2 is usually the easiest, as it seems to evolve naturally out of the first one. Book 3, however, is far more problematic. New areas have to be introduced to keep the reader interested. Some fundamental shifting of perspective must take place, or else book 3 becomes merely a watered down version of the previous two. Actually, book 3 is usually the pivotal one upon which the rest of the series rests. If you cannot pull it off successfully, it is best to admit defeat and pretend you only meant to write two in the first place.
By book 4, the pitfall is over-confidence. You have run the gauntlet of three books. You feel the surge of expertise as fingers hit keyboard. This, after the previous three, will be a doddle to write. You have your characters, you know how the story arc works. Sometimes this attitude pays off: I still think Dead Man Talking, the fourth Spy Girl book, is the best plotted. However, beware: book 4 can so easily wander off into alien territory, or become a repetition of book 3 with added lacklustre.
I have never got further than book 5 (and Usborne turned it down) so I cannot speak from experience, but I can say from avidly reading crime series, that some writers manage to sustain plot, characters and reader interest beyond book 5, but many more don't and the result is a series of flat readalike stories with little variety at best, or downright daftness at worst (Bounty hunter Stephanie Plum's hamster has survived longer than any hamster should or ought)
The trouble with series is that publishers LOVE them. They are easy to market, and each book sells on the back of the previous ones. Thus the temptation to go on churning them out year after year, when by rights the whole thing should have been allowed to quietly slink off and hide in a dark corner after the fifth one.
I have been told though, that the ''real money'' comes from a 5 book series, which means most other writers will have been told this too. I can't see myself getting as far as finishing a fifth book right now. Mind, I never thought I'd get as far as a third or fourth. My former agent didn't see any mileage in the first ...
So what's your experience:
Do you prefer a series? Or a one off novel. If you are a writer, have you ever tackled a series, or does the prospect fill you with horror? Do share your thoughts....
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I've never written a series, but my collection of travel books are all contained in the same structure. I do sometimes worry that they have become formulaic, but so far no one has complained. And they seem to see ok.ReplyDelete
I think because each of your books features a different country, they could never be formulaic, Jo!!Delete
...agreed gazillion percent. m’Lady, Carol...guarding against formulaic scribbling is the biggest thing, and ensuring that each book can standalone as part of a linked series ...NOT a serial... big difference... by the way, my current work in progress IS number five in the Jack Calder series ! :) mwaah :)ReplyDelete
Yes,,,, me too. You know what I mean though...once some (not all) writers get to number 25, it's almost writing by numbers....I guess their publishers don't want to lose the cash cow...Delete
If I enjoy reading a book I want the author to write a series. A few authors I read have written a series set in a village and each book is a story of someone who lives in the village. I think these can be very formumatic but I still enjoy them. One series I read years ago was Barbara Taylor Bradford's A Woman of Substance, she even had a space of quite a few years before she wrote the final two books. The story is spanned ovcer generations so comletely new characters were introduced in each book. I think yours called for a series too Carol and I'm enjoying them.ReplyDelete
Great post Carol. My WIP is numbers 1 and 2 in a series (may become just number 1) From the outset, i knew that I had too much for one novel.ReplyDelete
you are lucky..I wasn't sure...and still go 'hmmm' speculatively every time I start writing....Delete
If the characters are good (which you have cracked)then a series is the way to go, nice one all round!ReplyDelete
Thanks.... after each one, I say: that's it..and then ...Delete