Before I started writing the Victorian Detective Series - which wasn't ever meant to be a series but that's another story, I wrote modern stories, teenage and YA fiction. I've decided to go back to writing some modern stuff, and run it alongside the historical novels, to give all you lovely readers who aren't too keen on historical novels something else to enjoy (I hope).
The Final Virus is a 'long novella' (46 thousand words) and will shortly be self-published by Little G Books on Amazon as an ebook. What is it? Well, it could be YA Urban: the two main protagonists are seventeen and live in a city. It could equally well be Sci-Fi: it is set in a future world run by a computer programme. It could be Fantasy: the world I have set it in is not like the world today.
It could be an extended political allegory like 1984: the scenarios of ruthless governmental control posited are all nascent in our own time. It could be a Romance: Will and Amber's relationship develops over the course of the book. It could be Dystopic: the universe is on the brink of catastrophe.
You will have to decide for yourselves what it is if you choose to read it .... and it is coming soon.
Meanwhile, here are the main characters, as we meet them in the first two chapters:
Will
''The summer afternoon was fading fast. The sun was already
sinking westward into a pink and golden sky. A little breeze cooled Will's
face. He pushed back a lock of sun-bleached hair, and wiped his damp forehead
with a tanned forearm. His shoulder muscles were aching again. For a moment he
squinted up at the sky, his blue eyes remote and thoughtful. Then he attached
the bucket to the makeshift rope pulley.
‘Haul
away,’ he commanded. Sam pulled up the bucket, tipped the earth out and sent it
back down. It was better with Sam helping, Will thought. Before his arrival, he
had to shift the earth himself.
‘Look, I know it's a stupid
question,' Sam began.
‘Go on.’
‘Why exactly are you doing this?’
Will dropped a spadeful of earth
into the bucket. ‘Geography project,’ he said abruptly. He didn’t look up. He
dug the spade in the earth again, shovelled some more into the bucket.
‘Geography project?’ Sam frowned.
‘We gave that in last week.’
‘Biology, then.’
‘Respiration in mammals?’
‘Yeah, that.’
‘Respiration,’ Sam repeated
the words slowly and emphatically, ‘in .... mammals. You don’t have to dig a hole.
Specially a big one.’
Will stopped digging, and looked
around him. Sam was right. Dead right. It was a big hole, as holes went. And as
holes went, it was going well. The hole is always equal to the sum of its
parts, he thought. Some of its parts were boredom, anger and frustration.
Nothing to do, nowhere to go. The not-allowed outness was getting to him big
time. The hole, which he'd started some time ago to get soil samples for a
school experiment, had become an outlet for his pent-up feelings. A way of
two-fingering the system: if he couldn’t go out, he would go down. Nobody could
stop him doing that. Could they?
‘Mate, you are crazy, you know
that,’ Sam shook his head sadly.
‘Maybe ...’
‘What’ll your mum say when she sees
this?’
‘Nothing,’ Will resumed digging,
‘because she won’t see it.’
Not in a million years, he thought.
She never came out into the garden. Not since his dad had gone. He’d been the
gardener. And the rest. Always pottering around after work. Therapy, he'd
called it, getting in touch with his roots. His mum had little interest in the
garden then. None whatsoever now.
That was the other reason for
digging the hole: the great gaping void in his heart that couldn’t be put into
words. A sadness so vast and deep that the only thing he could do to block it
out was exhaust himself. When it first hit him, the pain of loss, he’d gone
running. He ran miles, head down, his breath ripping out in rags, feet pounding
the unforgiving streets. Until the night he was picked up by the police at two
in the morning running round the perimeter fence outside his dad’s work. Now he
was grounded. Temporarily. So the only way to tire himself out was to dig.
Maybe it was stupid. Maybe Sam was right. But at least he slept nights.''
Amber
''Amber.
Am-buh. It was a stupid name, she thought. Why on earth had they given her such
a stupid name? Amber sighed. As if she didn’t know, she thought. As if they
hadn’t told her. Time after time after time until she could repeat it like a
mantra:
It is the name of a precious
stone (“it is very beautiful.”)
It has magical powers (“it releases
negative energy.”)
It is very rare and expensive (“we
spent months finding the right clinic.”)
Amber.
Chosen child.
Miracle of genetic engineering
Tuesdays, Amber thought to herself.
She could never quite get the hang of Tuesdays. This Tuesday followed the same
pattern as the others. She woke at six after another nightmare-ridden sleep. It
was the one about the world coming to an end and the four horsemen again. This
time it had been so real that when she opened her eyes, she could still hear
the drumming of hooves, still see the colours of the four riders; so clear that
she could hear the sounds of the battle, the high-pitched screams of the dying.
Amber
had woken suddenly. For a few seconds she had lain, dislocated, in the pale
primrose light of dawn. Her heart beat wildly and fear held her in its icy
grip. It was always the same after waking from this one: a deep terror, a
feeling that the world was ending around her and that she could do nothing to
prevent it. Then she saw the familiar outlines of her bedroom. She had rolled onto her back,
arms folded behind her head, letting the horrors of the night fade away.
Amber left it
until the very last minute before she got up, showered and dressed. She
shrugged into her clothes, which were the same ones she’d worn the day before.
She ran a brush a couple of times through her long black hair, which she always
left loose and hanging down her back. The other girls in her class were
currently into braiding every tiny strand of hair, before decorating it with
‘natural found objects’, feathers or flowers or tiny stones with holes, but Amber
had neither the time or the inclination to do her hair like everyone else.
Nor
was she bothered about what she wore. Any old top and trousers sufficed. Amber
went downstairs. She got her own breakfast. Her parents left for work early.
She would get her own tea too. Probably she’d be in bed long before they
arrived home. It was lonely being chosen.''
The cover has been designed by Michael Lindley (@fruitbatwalton). The editing is by Mr Detail. There may be a sequel.
What fun! Good for you, writing what you want to write, even it isn't what other people expect.
ReplyDeleteBest of luck - nice to change genre from time to time, isn't it?
ReplyDeleteNice to return to a genre and discover I can still 'ride a bike'
DeleteThis looks really interesting - and interesting to see you can change genre...
ReplyDeleteThanks...the genre change was from Teen to Hisrorical, so this is back to my origins. It made a nice change.... I think writing is something you do, regardless of genre..with this book, I felt I had a 'political' message...which couldn't be expressed in any other way. I think most writers are multi-genred..(if that's a word)..we write blogs, stories, articles....it's more whether we can pull it off..which I will have to wait and see...
DeleteWell, I don't usually go for Urban or dystopia but you've caught me with Will and Amber. I definitely want to know more. Such lovely prose.
ReplyDeleteThat's really kind. It is a bit scary, I have to warn you...
DeleteYou buck the trends and shout "I am genre free" That in its self is exciting. I am hooked already It is sort of dytopian, but what ever, great cover, good read. I am going to dig a hole myself... probably fall in but hey.
ReplyDeleteThis is most intriguing, Ms Hedges! I shall have to give it a try...let us know when Little G has published it. These extracts are great, they really are!
ReplyDeleteOhhh I DO love a good dollop of dystopia! It's lookin' good, Hedges!!....
ReplyDeleteThanks for the encouraging comments so far...wonders to end of diving board and surveys the water far below...
ReplyDeleteNot lost your touch, Carol, looking forward to reading your latest as it sounds amazing. I loved your Victorian mysteries, but in a way, I preferred your early work...
ReplyDeleteThanks Anita..you are probably one of the few who has sampled them...hope you enjoy this one...
DeleteI like the sound of this!
ReplyDeleteTHANKS cATHY!
DeleteI was only going to read the beginning to get the gist of it (as I'm lazy!) but ended up reading it all and found it intriguing.
ReplyDeleteIntriguing is good.....
DeleteNice one! :)
ReplyDelete