Every now and then The PINK SOFA is lucky enough to encounter A Real Character. Such is its current guest, writer Seumas Gallacher. He has graced THE SOFA before - leaving a half-drunk bottle of malt and a rather restless haggis behind. Seumas lives and works abroad - a place The Sofa fully intends to visit once the ban on it leaving the UK has been lifted. This is Seumas' account of being an 'ex-pat' author.
Seumas of Arabia… on being an Author in the Middle East.
Seumas of Arabia… on being an Author in the Middle East.
I’ve been asked several times over the past
few years what it’s like being a writer based in the Middle East. I never gave
it much thought before that question was posed, but I suppose there are some
salient things that differentiate a scribbler’s life out here, compared to
elsewhere in the world.
At the outset, much of the routine of
producing masterpieces for the universal readership consumption is much the
same wherever the writer’s den is located.
The need for researching detail; attention
to grammatical correctness; knowing your readership market; all of these are
constants, plus many others I’m sure you can all think of.
However, closer focus will reveal some
variations from the European, Australian or American writer’s lot. I speak only
from personal experience on this, and I’d be happy to learn how others situated
in different parts of the planet find it.
First off, with my writing, I produce crime
thrillers, populated by all manner of international bad guys. By choice, I have
elected not to jump on the bandwagon that many others have done, by tagging
their villains as ‘Islamic Jihadists’ of all kinds of hue. Living in the Middle
East, I count innumerable friends in the Muslim society that I’ve been privileged
to live amongst for the past ten years. I choose not to ‘bite the hand that
feeds’ even in my scribbling. It has been too easy a soapbox for too many
writers, I feel. That said, I suppose I now have to be careful on my travels to
Albania, Turkey, Serbia and Lithuania!
I also published hard copies of two of my
novels locally and that has required having my galley proofs vetted by the
National Media Council in Abu Dhabi. In one of the books, I was asked to ‘tone
down’ a couple of paragraphs with an adult bedroom scene. I simply removed the
‘offending’ passage. The result made me realize that I don’t need these
passages at all in what are essentially crime and action thrillers.
Another difference entails getting the
books onto the shelves here. I visited each head office of the major book
distributers and did hand-to-hand combat on pricing, discounts, deliveries and
so on. All of it managed personally. I don’t think that would work in the UK.
Following that theme, because the
newspapers and magazines are principally local in focus, my name and work is
easily broadcast if I so choose. That also leads on readily to invitations to
Guest Speak at clubs and associations, with the attendant book signing and
sales opportunities.
With the Internet, access to information is
at my fingertips. The availability of the social networks is probably the
biggest factor in overcoming the geographic distance from potential readers and
physical attendance at other author groups. I made a conscious decision when I
began this late-in-life immersion in authorship to embrace as far as possible
the baffling diaspora that is the Web. I’m glad I did. Without that continual application
to building my own platform and connections, I think very little, if any, of
the success that I’ve enjoyed to date would have happened.
Despite the credibility that
self-publishing has acquired, as a businessman, I am not wont to turn away the
opportunity to partner with a good publishing house. After six years of
striving to find the right ‘home’ for that, along has come Crooked Cat
Publishing, who have contracted to take my Jack Calder series aboard, starting
in January 2015.
Had I not been based in the Middle East, I
think my chances of garnering an Agent or Publisher may have come along
quicker, merely because I know that I would have made the effort to visit
addresses and people in the publishing industry in the UK.
Recently I have spent some of my other business
time in Bahrain, (I have my own corporate ‘trouble-shooting’ firm) and now
shuttle between there and Abu Dhabi. Discussions with the local distributors
may see my books in the retail outlets in Bahrain soon. It was an indescribable
pleasure to see THE VIOLIN MAN’S LEGACY and VENGEANCE WEARS BLACK on the bestseller
shelves at the W.H. Smith shop at Abu Dhabi International Airport, listed at #6
and #11 respectively. When it gets to that level at Heathrow, I’ll let you
know!
So, yes, there are differences in being
located in the Middle East compared to elsewhere, but somehow, perhaps
mistakenly, I feel a tad more in control of my end of the ‘business of
writing’. Oh, and the weather’s not too bad either.
Contact Seumas:
Blog: :seumasgallacher.com
Twitter : @seumasgallacher
Facebook : http://www.facebook.com/seumasgallacher
Email : seumasgallacher@yahoo.com
...thanks for having me visit the sofa again, m’Lady, a real pleasure ... mwaaah:)
ReplyDeleteHi both, it sounds so glamorous to be writing in Abu Dhabi but, as you say, much of the hard slog of writing is the same wherever it occurs. Interesting that the local censorship has encouraged you to rethink the inclusion of certain scenes. Well they do say that less is more! As for the restless haggis, Carol, I think you need to keep an eye on that. I've heard they bite!
ReplyDeletehi, Rosalind... only the free range haggis is the biting sort.. :):) cheers ;0
DeleteThis was fascinating, Seumus. A really different perspective on publishing in a specific market. I also found it interesting that the encouragement to 'tone' scenes for local censorship has made you realise you didn't need them anyway. Nice one. I really enjoyed this, Seumus. Thanks for the insights into a different world.
ReplyDelete